music technology interaction movement voice

Interactive Dance Bibliography

Ahola, T., Tahiroglu, K., Ahmaniemi, T., Belloni, F., & Ranki, V. (2011). Raja-A Multidisciplinary Artistic Performance Proceedings of the International Conference on New Interfaces for Musical Expression, NIME, Oslo, Norway.

Akerly, J. (2015). Embodied flow in experiential media systems: a study of the dancer’s lived experience in a responsive audio system Proceedings of the 2nd International Workshop on Movement and Computing, Vancouver, British Columbia, Canada. https://doi.org/10.1145/2790994.2790997

Alaoui, S. F. (2019). Making an Interactive Dance Piece: Tensions in Integrating Technology in Art Proceedings of the 2019 on Designing Interactive Systems Conference, San Diego, CA, USA.

Alaoui, S. F., Bevilacqua, F., & Jacquemin, C. (2015). Interactive visuals as metaphors for dance movement qualities. ACM Transactions on Interactive Intelligent Systems (TiiS), 5(3), 1-24.

Alaoui, S. F., Bevilacqua, F., Pascual, B. B., & Jacquemin, C. (2013). Dance interaction with physical model visuals based on movement qualities. International Journal of Arts and Technology, 6(4), 357-387.

Alaoui, S. F., Caramiaux, B., & Serrano, M. (2011). From dance to touch: movement qualities for interaction design CHI'11 Extended Abstracts on Human Factors in Computing Systems, Vancouver, Canada.

Alaoui, S. F., Caramiaux, B., Serrano, M., & Bevilacqua, F. (2012). Movement qualities as interaction modality Proceedings of the Designing Interactive Systems Conference, Newcastle Upon Tyne, United Kingdom.

Alaoui, S. F., Françoise, J., Schiphorst, T., Studd, K., & Bevilacqua, F. (2017). Seeing, sensing and recognizing Laban movement qualities Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems,

Alaoui, S. F., Jacquemin, C., & Bevilacqua, F. (2013). Chiseling bodies: an augmented dance performance CHI '13 Extended Abstracts on Human Factors in Computing Systems, Paris, France.

Alaoui, S. F., & Matos, J.-M. (2021). RCO : Investigating Social and Technological Constraints through Interactive Dance Proceedings of the 2021 CHI Conference on Human Factors in Computing Systems, Yokohama, Japan. https://doi.org/10.1145/3411764.3445513

Alborno, P., Cera, A., Piana, S., Mancini, M., Niewiadomski, R., Canepa, C., Volpe, G., & Camurri, A. (2016). Interactive sonification of movement qualities–a case study on fluidity Proceedings of ISon, 5th Interactive Sonification Workshop, Bielefeld University, Germany.

Andersson López, L. (2020). SENSITIV – Mapping Design of Movement Data to Sound Parameters when Creating a Sonic Interaction Design Tool for Interactive Dance [Master’s thesis, KTH - Kungliga Tekniska Högskolan]. Stockholm.

Aylward, R., Lovell, S. D., & Paradiso, J. A. (2006, 3-5 April 2006). A compact, wireless, wearable sensor network for interactive dance ensembles International Workshop on Wearable and Implantable Body Sensor Networks (BSN'06), Cambridge, MA, USA

Aylward, R., & Paradiso, J. A. (2006). Sensemble: a wireless, compact, multi-user sensor system for interactive dance New Interfaces for Musical Expression, NIME, Paris, France.

Baalman, M. A. J. (2022). Composing Interactions - An Artist's Guide to Building Expressive Interactive Systems. V2_.

Bahn, C., Hahn, T., & Trueman, D. (2001). Physicality and Feedback: A Focus on the Body in the Performance of Electronic Music International Computer Music Conference, ICMC 2001, Havana, Cuba. http://hdl.handle.net/2027/spo.bbp2372.2001.058

Bakogiannis, K., Andreopoulou, A., & Georgaki, A. (2021). The development of a dance-musification model with the use of machine learning techniques under COVID-19 restrictions. In Audio Mostly 2021 (pp. 81–88). Association for Computing Machinery. https://doi.org/10.1145/3478384.3478407

Bannerman, A. (2005). Connecting Spaces–Motion-capture, Dance, Sound.(formerly Dancing Sound–Sounding Dance) Sound Moves - An International Conference on Music and Dance, Roehampton University, London, England.

Barbosa, J., Calegario, F., Tragtenberg, J., Cabral, G., Ramalho, G., & Wanderley, M. M. (2015). Designing DMIs for popular music in the brazilian northeast: lessons learned Proceedings of the International Conference of New Interfaces of Musical Expression, NIME’15, Baton Rouge, LA.

Barker, M., & Munster, A. (2018, July). Moving data: artistic tendencies in visualising human and non-human movement Proceedings of the Conference on Electronic Visualisation and the Arts, London.

Beira, J. F. (2016). 3D (embodied) projection mapping and sensing bodies: a study in interactive dance performance [Doctoral dissertation, The University of Texas at Austin]. Austin.

Beller, G., & Aperghis, G. (2011). Gestural control of real-time concatenative synthesis in luna park P3S (Performative Speech and Singing Synthesis), Vancouver, Canada.

Bergsland, A. (2022). Designing interactive sonifications for the exploration of dance phrase edges Sound and Music Computing, SMC2022, St.Étienne, France.

Bergsland, A. (2022). Dance phrase onsets and endings in an interactive dance study Proceedings of the International Conference on Audio Mostly, St.Pölten, Austria.

Bergsland, A., Saue, S., & Stokke, P. (2019). VIBRA-Technical and Artistic Issues in an Interactive Dance Project 16th Sound and Music Computing, SMC'19, Malaga, Spain.

Bergsland, A., & Wechsler, R. (2015). Composing Interactive Dance Pieces for the MotionComposer, a device for Persons with Disabilities New Interfaces of Musical Expression NIME2015, Baton Rouge, Louisiana.

Bergsland, A., & Wechsler, R. (2017). Issues and Strategies of Rhythmicality for MotionComposer Proceedings of the 4th International Conference on Movement Computing (MOCO '17), London.

Berman, A., & James, V. (2015). Kinetic Dialogues: Enhancing creativity in dance Proceedings of the 2nd International Workshop on Movement and Computing (MOCO’15), Vancouver, Canada.

Bermudez, B., DeLahunta, S., Hoogenboom, M., Ziegler, C., Bevilacqua, F., Alaoui, S. F., & Gutierrez, B. M. (2011). The Double Skin/Double Mind Interactive Installation. Journal for Artistic Research, 0. https://www.researchcatalogue.net/view/8247/8248/0/0

Bernini, D., De Michelis, G., Plumari, M., Tisato, F., & Cremaschi, M. (2012). Towards Augmented Choreography ArtsIT 2011, Esbjerg, Denmark.

Bevilacqua, F., Naugle, L., & Dobrian, C. (2001). Music control from 3D motion capture of dance Proceedings of New Interfaces of Musical Expression, a CHI 2001 workshop, Seattle.

Bevilacqua, F., Naugle, L., & Valverde, I. (2001). Virtual dance and music environment using motion capture IEEE-Multimedia Technology And Applications Conference, Irvine CA.

Bevilacqua, F., Ridenour, J., & Cuccia, D. (2002). 3d motion capture data: Motion analysis and mapping to music The Sixth Distributed Memory Computing Conference, Santa Barbara, CA.

Bevilacqua, F., Schnell, N., Fdili Alaoui, S., Klein, G., & Noeth, S. (2011). Gesture capture: Paradigms in interactive music/dance systems. In G. Klein & S. Noeth (Eds.), Emerging Bodies: The Performance of Worldmaking in Dance and Choreography (Vol. 183, pp. 183-193). Transaction Publishers.

Biggs, S., Hawksley, S., & Paine, G. (2016). Bodytext: Somatic Data as Agency in Interactive Dance. In C. Fernandes (Ed.), Multimodality and Performance (pp. 179-186). Cambridge Scholars Publishing. http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=1339017&site=ehost-live

Biggs, S. J., Hawksley, S., & Paine, G. (2013). Bodytext essay 19th International Symposium Electronic Art, Sydney, Australia.

Birringer, J. (2002). Dance and media technologies. PAJ: A Journal of Performance and Art, 24(1), 84-93.

Birringer, J. (2004). Interactive dance, the body and the Internet. Journal of Visual Art Practice, 3(3). https://doi.org/doi: 10.1386/jvap.3.3.165/0

Birringer, J. (2004). Dance and Interactivity. Dance Research Journal, 35/36, 88-112. www.jstor.org/stable/30045071

Birringer, J. (2005). Interactivity:'user testing'for participatory artworks. International Journal of Performance Arts & Digital Media, 1(2).

Birringer, J. (2006). Saira Virous: Game Choreography in Multiplayer Online Performance Spaces. In S. Broadhurst & J. Machon (Eds.), Performance and Technology. Practices of Virtual Embodiment and Interactivity (pp. 43-59). Palgrave Macmillan.

Birringer, J. (2007). Performance and science. PAJ: A Journal of Performance and Art, 29(1), 21-35.

Birringer, J. (2008). After Choreography. Performance Research, 13(1), 118-122. https://doi.org/10.1080/13528160802465649

Birringer, J. (2010). Moveable worlds/Digital scenographies. International Journal of Performance Arts and Digital Media, 6(1), 89-107. https://doi.org/10.1386/padm.6.1.89_1

Birringer, J. (2022). Somatechnics and Difference. Teatro: Revista de Estudios Culturales/A Journal of Cultural Studies, 34(1), 8.

Birringer, J., & Danjoux, M. (2009). Wearable performance. Digital Creativity, 20(1-2), 95-113. https://doi.org/10.1080/14626260902868095

Birringer, J., & Danjoux, M. (2013). The sound of movement wearables: performing ukiyo. Leonardo, 46(3), 232-240. https://doi.org/10.1162/LEON_a_00562

Birringer, J. H. (2008). Performance, technology, & science. Paj Publication.

Bisig, D., & Palacio, P. (2012). STOCOS. Dance in a Synergistic Environment 15h Generative Art Conference GA2012, Lucca, Italy.

Bisig, D., & Palacio, P. (2014). Phantom Limb Hybrid Embodiments for Dance Proceedings of the Generative Art Conference, Rome, Italy.

Bisig, D., & Palacio, P. (2016). Neural narratives - Dance with virtual body extensions [Conference Paper]. 3rd International Symposium on Movement and Computing, MOCO 2016, Thessaloniki; Greece.

Bisig, D., & Palacio, P. (2020, September 15–17, 2020). Sounding feet Proceedings of the 15th International Conference on Audio Mostly, Graz, Austria.

Bisig, D., Palacio, P., & Romero, M. (2016, 2016). Piano & Dancer 19th Generative Art Conference GA2016, Florence, Italia.

Bisig, D., Palacio, P., & Romero, M. (2016). The Neural Narratives Project - Multimodal virtual body extensions for Metabody. METABODY Journal of Metacultural Critique, 2.

Bisig, D., Palacio, P., Romero, M., & Pérez, A. (2018). Sounding Feet. Sonifying Foot Pressure for Dance Proceedings The international symposium on Movement and Computing MOCO’18, Genoa, Italy.

Bisig, D., & Unemi, T. (2009). Swarms on stage-swarm simulations for dance performance Proceedings of the Generative Art Conference., Milano, Italy.

Bluff, A. J. (2017). Interactive art, immersive technology and live performance [PhD Thesis, University of Technology Sydney]. Sydney.

Bomba, M. S., & Dahlstedt, P. (2019). Somacoustics: Interactive Body-as-Instrument New Interfaces of Musical Expression, NIME2019, Porto Alegre, Brazil.

Bromwich, M. A. (1995). A Single Performer Controlled Interface for Electronic Dance/Music Theatre Proceedings of the International Computer Music Conference, ICMC, Banff, Canada.

Brown, C. (2006). Learning to Dance with Angelfish: Choreographic Encounters Between Virtuality and Reality. In S. Broadhurst & J. Machon (Eds.), Performance and Technology. Practices of Virtual Embodiment and Interactivity (pp. 85-99). Palgrave Macmillan.

Brown, C. (2019). Machine Tango: An Interactive Tango Dance Performance Proceedings of the Thirteenth International Conference on Tangible, Embedded, and Embodied Interaction, Tempe, Arizona, USA. https://doi.org/10.1145/3294109.3301263

Brown, C., & Paine, G. (2015). Interactive Tango Milonga: designing internal experience Proceedings of the 2nd International Workshop on Movement and Computing, MOCO'15, Vancouver.

Brown, C., & Paine, G. (2019). A Case Study in Collaborative Learning via Participatory Music Interactive Systems: Interactive Tango Milonga. In S. Holland, T. Mudd, K. Wilkie-McKenna, A. McPherson, & M. M. Wanderley (Eds.), New Directions in Music and Human-Computer Interaction (pp. 285-306). Springer International Publishing. https://doi.org/10.1007/978-3-319-92069-6_18

Calvo-Merino, B., Glaser, D. E., Grezes, J., Passingham, R. E., & Haggard, P. (2005). Action Observation and Acquired Motor Skills: An fMRI Study with Expert Dancers. Cerebral Cortex, 15(8), 1243-1249. http://cercor.oxfordjournals.org/cgi/content/abstract/15/8/1243

Camurri, A. (1995). Interactive Dance/Music Systems Interactive Dance/Music Systems, San Fransisco.

Camurri, A., Canepa, C., Coletta, P., Ferrari, N., Mazzarino, B., & Volpe, G. (2008). Social active listening and making of expressive music: the interactive piece the bow is bent and drawn Proceedings of the 3rd international conference on Digital Interactive Media in Entertainment and Arts, Athens, Greece. https://doi.org/10.1145/1413634.1413701

Camurri, A., Chiarvetto, R., Coglio, A., Di Stefano, M., Liconte, C., Massari, A., Massucco, C., Murta, D., Nervi, S., & Palmieri, G. (1997). Toward Kansei Information Processing in music/dance interactive multimodal environments Proc. Italian Assoc. for Musical Informatics (AIMI) Intl. Workshop Kansei: The Technology of Emotion, Genoa, Italy.

Camurri, A., & Ferrentino, P. (1999). Interactive environments for music and multimedia [journal article]. Multimedia Systems, 7(1), 32-47. https://doi.org/10.1007/s005300050109

Camurri, A., Hashimoto, S., Ricchetti, M., Ricci, A., Suzuki, K., Trocca, R., & Volpe, G. (2000). Eyesweb: Toward gesture and affect recognition in interactive dance and music systems. Computer Music Journal, 24(1), 57-69.

Camurri, A., Hashimoto, S., Ricchetti, M., Suzuki, K., Trocca, R., & Volpe, G. (1999). KANSEI analysis of movement in dance/music interactive systems 2nd International Symposium on HUmanoid and RObotics (HURO99), Tokyo.

Camurri, A., Mazzarino, B., Ricchetti, M., Timmers, R., & Volpe, G. (2004). Multimodal Analysis of Expressive Gesture in Music and Dance Performances. In A. Camurri & G. Volpe (Eds.), Gesture-Based Communication in Human-Computer Interaction (Vol. 2915, pp. 20-39). Springer. https://doi.org/10.1007/978-3-540-24598-8_3

Camurri, A., & Moeslund, T. B. (2010). Visual Gesture Recognition. In R. I. Godøy & M. Leman (Eds.), Musical Gestures. Sound, Movement, and Meaning (pp. 238-263). Routledge.

Camurri, A., Volpe, G., De Poli, G., & Leman, M. (2005). Communicating expressiveness and affect in multimodal interactive systems. IEEE MultiMedia, 12(1), 43-53. https://doi.org/10.1109/MMUL.2005.2

Camurri, A., Volpe, G., Piana, S., Mancini, M., Niewiadomski, R., Ferrari, N., & Canepa, C. (2016). The dancer in the eye: towards a multi-layered computational framework of qualities in movement Proceedings of the 3rd International Symposium on Movement and Computing, Thessalonoki, Greece.

Candau, Y., Françoise, J., Alaoui, S. F., & Schiphorst, T. (2017). Cultivating kinaesthetic awareness through interaction: Perspectives from somatic practices and embodied cognition Proceedings of MOCO’17, London.

Çarçani, K., Hansen, V. W., & Maartmann-Moe, H. (2018). Exploring Technology Use in Dance Performances Human-Computer Interaction. Interaction in Context. HCI 2018,

Clay, A., Couture, N., Decarsin, E., Desainte-Catherine, M., Vulliard, P.-H., & Larralde, J. (2012). Movement to emotions to music: using whole body emotional expression as an interaction for electronic music generation Proceedings of the International Conference of New Interfaces of Musical Expression, NIME, Ann Arbour, MI.

Clay, A., Couture, N., & Nigay, L. (2007). Emotion capture based on body postures and movements. arXiv preprint arXiv:0710.0847.

Clay, A., Couture, N., & Nigay, L. (2009). Towards an architecture model for emotion recognition in interactive systems: application to a ballet dance show ASME-AFM World Conference on Innovative Virtual Reality, WINVR2009, Chalon-sur-Saône, France.

Clay, A., Couture, N., & Nigay, L. (2009, 10-12 Sept. 2009). Engineering affective computing: A unifying software architecture 3rd International Conference on Affective Computing and Intelligent Interaction and Workshops, Amsterdam.

Clay, A., Couture, N., Nigay, L., De La Riviere, J.-B., Martin, J.-C., Courgeon, M., Desainte-Catherine, M., Orvain, E., Girondel, V., & Domengero, G. (2012). Interactions and systems for augmenting a live dance performance 2012 IEEE International Symposium on Mixed and Augmented Reality-Arts, Media, and Humanities (ISMAR-AMH), Atlanta, GA.

Clay, A., Delord, E., Couture, N., & Domenger, G. (2009). Augmenting a ballet dance show using the dancer’s emotion: Conducting joint research in dance and computer science International Conference on Arts and Technology, ArtsIT, Yi-Lan, Taiwan.

Clay, A., Domenger, G., Conan, J., Domenger, A., & Couture, N. (2014). Integrating augmented reality to enhance expression, interaction & collaboration in live performances: A ballet dance case study 2014 IEEE International Symposium on Mixed and Augmented Reality-Media, Art, Social Science, Humanities and Design (ISMAR-MASH'D), Munich, Germany.

Clay, A., Lombardo, J.-C., Couture, N., & Conan, J. (2014). Bi-manual 3D painting: an interaction paradigm for augmented reality live performance. In Advanced Research and Trends in New Technologies, Software, Human-Computer Interaction, and Communicability (pp. 423-430). IGI Global.

Coniglio, M. (2006). Materials vs Content in Digitally Mediated Performance. In S. Broadhurst & J. Machon (Eds.), Performance and Technology. Practices of Virtual Embodiment and Interactivity (pp. 78-84). Palgrave Macmillan.

Côté-Allard, U., St-Onge, D., Giguère, P., Laviolette, F., & Gosselin, B. (2017, 28 Aug.-1 Sept. 2017). Towards the use of consumer-grade electromyographic armbands for interactive, artistic robotics performances 2017 26th IEEE International Symposium on Robot and Human Interactive Communication (RO-MAN), Lisbon, Portugal.

Dahlstedt, P., & Dahlstedt, A. S. (2019). OtoKin: Mapping for Sound Space Exploration through Dance Improvisation New Interfaces for Musical Expression, Porto Alegre, Brazil.

De Spain, K. (2000). Dance and technology: A pas de deux for post-humans. Dance Research Journal, 32(1), 2-17.

deLahunta, S. (2002). Software for dancers: coding forms. Journal of Performance Research, 7(2), 97-102.

deLahunta, S. (2002). Periodic Convergences: Dance and Computers. In S. Dinkla & M. Leeker (Eds.), Dance and Technology. Moving towards Media Productions (pp. 66-87). Alexander Verlag.

deLahunta, S. (2002). ISADORA "almost out of beta": tracing the development of a new software tool for artists. Part I: in dialogue with Mark Coniglio. Retrieved April 7 from http://www.sdela.dds.nl/sfd/isadora.html

deLahunta, S. (2010). Shifting Interfaces: Art Research at the Intersections of Live Performance and Technology [PhD, University of Plymouth].

deLahunta, S., & Bevilacqua, F. (2007). Sharing descriptions of movement. International Journal of Performance Arts and Digital Media, 3(1), 3-16. https://doi.org/10.1386/padm.3.1.3_1

Di Donato, B., Bullock, J., & Tanaka, A. (2018). Myo Mapper: a Myo armband to OSC mapper Proceedings of the International Conference on New Interfaces of Musical Expression, Blacksburg, Virginia.

Dinkla, S. (2002). Towards a Rhetoric and Didactics of Digital Dance. In S. Dinkla & M. Leeker (Eds.), Dance and Technology. Moving towards Media Productions (pp. 15-29). Alexander Verlag.

Dixon, S. (2007). Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. The MIT Press.

Dovgan, E., Cigon, A., Sinkovec, M., & Klopcic, U. (2008, 10-12 Sept. 2008). A system for interactive virtual dance performance 2008 50th International Symposium ELMAR, Zadar, Croatia.

Downie, M. N. (2005). Choreographing the extended agent: performance graphics for dance theater Massachusetts Institute of Technology].

El-Nasr, M. S., & Vasilakos, T. (2006). Digitalbeing: An ambient intelligent dance space 2006 IEEE International Conference on Fuzzy Systems, Vancouver, BC, Canada

Erdem, C., Schia, K. H., & Jensenius, A. R. (2019). Vrengt: A Shared Body–Machine Instrument for Music–Dance Performance Proceedings of the International Conference on New Interfaces for Musical Expression,

Erkut, C., & Dahl, S. (2017). Embodied Interaction through Movement in a Course Work [Conference Paper]. 4th International Conference on Movement Computing, MOCO 2017, London. https://www.scopus.com/inward/record.uri?eid=2-s2.0-85037716360&doi=10.1145%2f3077981.3078026&partnerID=40&md5=e1110fccacc2008bf6f003225344806c

Evert, K. (2002). Dance and Technology at the Turn of the Last and Present Centuries. In S. Dinkla & M. Leeker (Eds.), Dance and Technology. Moving towards Media Productions (pp. 30-65). Alexander Verlag.

Farley, K. (2002). Digital dance theatre: The marriage of computers, choreography and techno/human reactivity. Body, Space and Technology Journal, 3(1), 39-46.

Feldmeier, M., & Paradiso, J. A. (2007). An Interactive Music Environment for Large Groups with Giveaway Wireless Motion Sensors. Computer Music Journal, 31(1), 50-67.

Francksen, K. (2007). Isadora as a means of composing. A detailed discussion of the potential implications of utilising new technologies within pedagogy. Body, Space and Technology Journal, 7(2).

Françoise, J., Fdili Alaoui, S., Schiphorst, T., & Bevilacqua, F. (2014). Vocalizing dance movement for interactive sonification of laban effort factors Proceedings of the 2014 conference on Designing interactive systems, Vancouver, Canada.

Frid, E., Bresin, R., Alborno, P., & Elblaus, L. (2016). Interactive Sonification of Spontaneous Movement of Children—Cross-Modal Mapping and the Perception of Body Movement Qualities through Sound. Frontiers in Neuroscience, 10, 521. https://doi.org/10.3389/fnins.2016.00521

Frid, E., Elblaus, L., & Bresin, R. (2016, December 16). Sonification of fluidity—an exploration of perceptual connotations of a particular movement feature Proceedings of the 5th interactive sonification workshop (ISon2016), Bielefeld University, Germany.

Frid, E., Elblaus, L., & Bresin, R. (2018). Interactive sonification of a fluid dance movement: an exploratory study. Journal on Multimodal User Interfaces, 1-9. https://doi.org/ https://doi.org/10.1007/s12193-018-0278-y

Fuhrmann, A. L., Kretz, J., & Burwik, P. (2013). Multi sensor tracking for live sound transformation New Interfaces of Musical Expression, NIME’13, Daejeon, South Korea.

Gardner, P., Sturgeon, H., Jones, L., & Surlin, S. (2016). Body Editing: Dance Biofeedback Experiments in Apperception International Conference on Human-Computer Interaction. Interaction Platforms and Techniques. HCI 2016,

Giomi, A. (2017). La pensée sonore du corps: Pour une approche écologique à la médiation technologique, au mouvement et à l'interaction sonore. [PhD dissertation, l’Université Côte d’Azur].

Giomi, A. (2020, July 15–17, 2020). Somatic Sonification in Dance Performances. From the Artistic to the Perceptual and Back Proceedings of the 7th International Conference on Movement and Computing, MOCO’20, Jersey City/Virtual, NJ, USA.

Giomi, A., & Fratagnoli, F. (2018). Listening Touch: A Case Study about Multimodal Awareness in Movement Analysis with Interactive Sound Feedback Proceedings of the 5th International Conference on Movement and Computing, Genoa, Italy.

Giomi, A., & Leonard, J. (2020). Towards an Interactive Model-Based Sonification of Hand Gesture for Dance Performance Proceedings of the International Conference on New Interfaces for Musical Expression, NIME’20, Birmingham, UK.

Golz, P., & Shaw, A. (2014). Augmenting live performance dance through mobile technology BCS-HCI'14 Proceedings of the 28th International BCS Human Computer Interaction Conference on HCI 2014-Sand, Sea and Sky-Holiday HCI, Southport, UK.

Gonzalez, B., Carroll, E., & Latulipe, C. (2012). Dance-inspired technology, technology-inspired dance Proceedings of the 7th Nordic Conference on Human-Computer Interaction: Making Sense Through Design, Copenhagen, Denmark.

Griggio, C. F., & Romero, M. (2015). Canvas Dance: An Interactive Dance Visualization for Large-Group Interaction Proceedings of the 33rd Annual ACM Conference Extended Abstracts on Human Factors in Computing Systems, Seoul, Republic of Korea.

Großhauser, T., Bläsing, B., Spieth, C., & Hermann, T. (2012). Wearable sensor-based real-time sonification of motion and foot pressure in dance teaching and training. Journal of the Audio Engineering Society, 60(7/8), 580-589.

Guedes, C. (2005). Mapping movement to musical rhythm: A study in interactive dance [PhD thesis, NYU]. New York.

Guedes, C. (2005). The m-objects: A Small Library for Musical Rhythm Generation and Musical Tempo Control from Dance Movement in Real Time Internationa Computer Music Conference, ICMC2005, Barcelona, Spain.

Guedes, C. (2006). Extracting Musically-Relevant Rhythmic Information from Dance Movemen by Applying Pitch-Tracking Techniques to a Video Signal Sound and Music Computing Conference 2006, Marseille, France.

Guedes, C. (2007). Translating Dance Movement into Musical Rhythm in Real Time: New Possibilities for Computer-Mediated Collaboration in Interactive Dance Performance The International Computer Music Conference, ICMC, Copenhagen, Denmark.

Guedes, C., & Woolford, K. (2007). Controlling Aural and Visual Particle Systems through Human Movement SMC'07 The 4th Sound and Music Computing Conference, Lefkada, Greece.

Gündüz, Z. (2010). Interactive dance: The merger of media technologies and the dancing body. In D. Riha (Ed.), Humanity in cybernetic environments (pp. 71-82). Inter-Disciplinary Press. http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.611.8096&rep=rep1&type=pdf#page=85

Gündüz, Z. (2012). Digital dance:(dis) entangling human and technology [Doctoral dissertation, University of Amsterdam]. Amsterdam.

Haag, J. C. (2009). Inertial motion capture and live performance (with a focus on dance). Dance Dialogues: Conversations Across Cultures, Artforms and Practices: Refereed Proceedings of the World Dance Alliance Global Summit 2008, 1-12.

Hahn, T., & Bahn, C. (2002). Pikapika - the collaborative composition of an interactive sonic character. Organised Sound, 7(3), 229-238.

Hattwick, I., Malloch, J., & Wanderley, M. M. (2014). Forming Shapes to Bodies: Design for Manufacturing in the Prosthetic Instruments Proceedings of the International Conference of New Interfaces of Musical Expression, NIME’14, London, UK.

Hattwick, I., & Wanderley, M. M. (2015). Interactive lighting in the pearl: considerations and implementation New Interfaces of Musical Expression, NIME’15, Baton Rouge, LA.

Hattwick, I., & Wanderley, M. M. (2017). Design of hardware systems for professional artistic applications New Interfaces for Musical Expression, NIME’17, Aalborg.

Hawksley, S., & Biggs, S. (2006). Memory maps in interactive dance environments. International Journal of Performance Arts and Digital Media, 2(2), 123-137. https://doi.org/10.1386/padm.2.2.123_1

Horwitz, A. (2014, July 5). Talking to Troika Ranch. Ephemeral Objects - Arts Criticism for the Post-Material World. https://www.ephemeralobjects.org/2014/07/05/talking-to-troika-ranch/

Houser, J. F. (2014). Reflections: For interactive electronics, dancer, and variable instruments [Dissertation in Fine Arts, Texas Tech University]. http://hdl.handle.net/2346/58674

Hsu, A., & Kemper, S. (2015). Kinesonic approaches to mapping movement and music with the remote electroacoustic kinesthetic sensing (RAKS) system Proceedings of the 2nd International Workshop on Movement and Computing, MOCO'15, Vancouver.

Hsu, A., & Kemper, S. (2018, February 15-17, 2018). Why Should Our Bodies End at the Skin? Enacting Cyborg Performance The Sixteenth Biennial Symposium on Arts and Technology, Connecticut College.

Hsu, A., & Kemper, S. (2019). Enacting Sonic-Cyborg Performance through the Hybrid Body in Teka-Mori and Why Should Our Bodies End at the Skin? Leonardo music journal, 29, 83-87.

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