Publications

2019

Bergsland, A., Saue, S., & Stokke, P. (2019). VIBRA - Technical and Artistic Issues in an Interactive Dance Project. Paper presented at the Proceedings of the 16th Sound & Music Computing Conference, SMC'19, Malaga, Spain.

2017

Bergsland, Andreas; Rønning, Barbro. (2017) Intermediality and Memory in the Tower Block - Post Mortem Project. THE INTERNATIONAL JOURNAL OF AESTHETICS AND PHILOSOPHY OF CULTURE. vol. 2 (2).

Bergsland, Andreas and Wechsler, Robert. "Issues and Strategies of Rhythmicality for MotionComposer". In: Proceedings of the 4th International Conference on Movement Computing. Association for Computing Machinery (ACM) 2017 ISBN 978-1-4503-5209-3.

2016

Bergsland, Andreas, “No e æ i det rommet ...” – minner, resonans og etterklang. I: Høyblokka Post-Mortem: Teater som ritual. Novus Forlag 2016 ISBN 978-82-7099-864-7. s. 67-79.

Bergsland, Andreas; Wechsler, Robert. (2016) Turning movement into music – issues and applications of the MotionComposer, a therapeutic device for persons with different abilities. SoundEffects. vol. 6 (1).

2015

Bergsland, A. and Engum, T. "Unheard Sounds: "Unheard Sounds: The Aesthetics of Inaudible Sounds Made Audible", In Journal of the Art of Record Production, 10 (July), ISSN: 1754-9892. Link to article.

Bergsland, A. and Wechsler, R. "Composing Interactive Dance Pieces for the MotionComposer, a device for Persons with Disabilities", In Proceedings of the New Interfaces for Musical Expression 2015. Baton Rouge, Louisiana (forthcoming). Link to paper.

2013

Brandtsegg et al. T-EMP: Trondheim Electroacoustic Music Performance - Communication and interplay in an electronically based ensemble. Report from an artistic research project. NTNU, Dept. of Music. Also published electronically at http://www.researchcatalogue.net/view/48123/48124/10/10.

Bergsland, A. and Wechsler, R. "Movement-Music Relationships and Sound Design in MotionComposer, an Interactive Environment for Persons with (and without) Disabilities", Proceedings of re-new, Copenhagen 2013. http://issuu.com/re-new/docs/re-new_2013_conference_proceeding

"Stemmer i elektroakustisk musikk - opplevelse, beskrivelse og visualisering", Lydskrift 1/2 2013. http://www.lydskrift.no/story/stemmer-i-elektroakustisk-musikk

"The maximal-minimal model: a framework for evaluating and comparing experience of voice in electroacoustic music", Organised Sound 18(2), p.218-228. Link to article for Organised Sound subscribers.

2012

"Using a seeing/blindfolded paradigm to study audience experiences of live-electronic performances with voice", In Proceedings of the New Interfaces for Musical Expression. Ann  Arbor, Michigan. http://www.eecs.umich.edu/nime2012/Proceedings/NIME2012WebProceedings.html

2011

"The Six Fantasies Machine – an instrument modelling phrases from Paul Lansky’s Six Fantasies", Proceedings of NIME 2011, 11th International Conference on New Interfaces for Musical Expression, Oslo, Norway. http://www.nime2011.org/proceedings/

“Arne Nordheim og den tidlige elektroakustiske musikken i Norge”, In Norsk Avantgarde, Oslo: Novus forlag, p.229-242.

2010

Experiencing Voices in Electroacoustic Music, PhD Thesis submitted at Dept. of Music, NTNU. http://folk.ntnu.no/andbe/PhD/PhD_Thesis_Bergsland_WEB

2006

"From maximal to minimal voice - concepts for evaluating vocal sounds in electroacoustic music." Electroacoustic Music Studies Network Conference, EMS05. , from http://www.ems-network.org/article.php3?id_article=171.

”Bevegelse, hastighet og materialitet fra Edisons phonograph til Charles Dodges Speech Songs.” in Estetiske teknologier No.3, Iversen, G. (ed.), Oslo: Scandinavian Academic Press.

2004

”Stemmetransformasjoner i elektroakustisk musikk: Identitetskonstruksjon og meningsdannelse” i Estetiske teknologier 1700-2000 No.2, Maurseth, A.B. og Østerud, E. (ed.), Oslo: Scandinavian Academic Press.

2000

“Sangkomposisjon som lesning” i Musikklidenskapelig årbok 2000 (Dept. of Music, NTNU).


Presentations

  • 2013: Paper presentation at re-new Digital Arts Festival, Copenhagen (with Robert Wechsler): Movement-Music Relationships and Sound Design in MotionComposer, an Interactive Environment for Persons with (and without) Disabilities.
  • 2013: Paper presentation at Electroacoustic Music Studies 2013, Lisbon (with Asbjørn Tiller):  "I am sitting in that room – reverberation, resonance and expanded meanings in Lucier’s I am sitting in a room".  2013-06-19. Abstract here.
  • 2011: Paper presentation at Lydhørt, Musikkteknologidagene 2011 (with Tone Åse): “Stemmemøter”. 2011-05-06 - 2011-05-08.
  • 2011: Paper presentation at The Art of Artistic Research (with Tone Åse): ”Voice Meetings” – interdisciplinary cooperation in artistic research.; 2011-05-06-2011-05-08, NMH, Oslo.
  • 2011: Paper presentation at The International Performativity Seminar (with Tone Åse): “Voice meetings”. 2011.04.12-2011.04.14, NTNU.
  • 2011: Paper presentation at The International Performativity Seminar: “Musicology and the Performance Turn”; 2011.04.12-2011.04.14, NTNU
  • 2011: Paper presentation at Propellen scenetekstmønstring: “Å føle, å kjenne igjen, å minnes – lydkomposisjon som assosiativt og emotivt uttrykk: HØYBLOKKAS MINNEFORESTILLING: Minner som rituale og tekst i stedspesifikk performance praksis”; 2011-02-24 - 2011-02-24
  • 2010: Graeme Sullivan’s Making Space: The Purpose and Place of Practice-led Research in the light of the project Høyblokka-Post mortem. MetLab, NTNU
  • 2009: Paper presentation at Ear in Music, UiO: “A framework for understanding and evaluating the experience of vocal sounds in electroacoustic music”
  • 2007: Paper presentation at TiVoice – Trondheim International Voice Conference: ”Between voice and sound – experiential limits of voice in electroacoustic music”
  •  2006: Paper presentation at NoMuTe, Nordic Music Technology Conference: “Wo/man in the machine:
  • The perception of artificiality and humanness in electrovocal music”
  • 2006: Paper presentation at the international seminar “Open form” at NTNU: “On opening a closed form –modelling Paul Lansky’s Six Fantasies on a poem by Thomas Campion”
  • 2005: Presentation at Music Technology, McGill University, Montréal, Canada: “Modelling Lanky’s Six Phantasies”.
  •  2005: Presentation of paper at Electroacoustic Music Studies, EMS 2005, McGill University, Canada: “From maximal to minimal voice – concepts for evaluating vocal sounds in electroacoustic music.”
  •  2005: Presentation of doctoral project at meeting for dept. of Music.
  •  2004: “Read my bits! Speech between numbers and moving throats in Charles Dodge’s and Paul Lansky’s ‘vocal’ computer music”. Paper presented on insternational conference Arts of Motion, arranged by Aesthetic Technologies 1700-2000.
  •  2004: ”Støy og identitetsgradasjoner i transformerte stemmer”. (”Noise and identity transformations in transformaed voices”) Presentation for Aesthetic Technologies 1700-2000.
  •  2003: Presentation of doctoral project at Trondheim Matchmaking arranged by Trondheim center for electronic arts, TEKS.
  •  2003: ”Stemmetransformasjoner i elektroakustisk musikk” (”Voice transformations in electroacoustic music”). Paper presented at Stemmens forvandlinger, conference arranged by Aesthetic Technologies 1700-2000 sept. 2003.